Exploration of Ancient Keyboard Music Styles in the Baroque Period

Yan-Jiao Wu ( Xi'an Conservatory of Music, Xi'an, Shaanxi, 710000, China )

https://doi.org/10.37155/2972-4856-0301-4

Abstract

This paper systematically explores the development, artistic characteristics, and performance techniques of Baroque keyboard music. By analyzing the social and cultural background of the period, it delves into the technical evolution of keyboard instruments and their impact on musical style. The article focuses on the characteristics of Baroque keyboard music in emotional expression, musical structure, and the use of ornamentation. It also discusses in detail the application of counterpoint techniques and harmonic language. Furthermore, the paper provides an in-depth analysis of the performance techniques required for Baroque keyboard music, its improvisational style, and artistic expressiveness, offering theoretical support and practical guidance for the understanding and interpretation of Baroque keyboard music.

Keywords

Baroque Music; Early Keyboard Instruments; Musical Style

Full Text

PDF

References

[1] Wang Hui. The Charm of Vintage Instrument Sounds — Taking the Baroque Period's Popular Harpsichord as an Example. Voice of the Yellow River, 2017(21):103.
[2] Gao Lei. An Overview of Early Western Chamber Music through the Brandenburg Concerto — Discussing the Historical Development of Wind Instruments in Baroque Music. Popular Songs, 2014(8):25-26.
[3] Jin Shi. The Origins and Development of Keyboard Instruments (Part Four): The Harpsichord. Music Life, 2014(4):72.
[4] Xie Yinan. A Comparison of the Similarities Between the Music Style and Fashion Design Style in the Baroque Period. Western Leather, 2024, 46(3):108-110.
[5] Meng Ziyu. The Innovation and Evolution of Baroque Music. Art Review, 2024(5):19-24.
[6] Qin Li. Classification and Characteristics of Baroque Polyphonic Piano Music. Chinese National Expo, 2024(19):115-117.

Copyright © 2025 Yan-Jiao Wu Creative Commons License Publishing time:2025-03-30
This work is licensed under a Creative Commons Attribution 4.0 International License